About the
BELIFFestival
Also known as the BE EPIC! London International Film Festival, but you can call us BELIFF.
BELIFF was founded by IOANA and VLAD DOROFTE in 2016.
London has always had something new and exciting to offer. Its effervescence awakens the senses and triggers a hunt for the best experience out there. Entertainment has never been so competitive. Within this vividly competitive scene, BELIFF raises the bar by scouting the best independent films each year and brings them exclusively to the BLOC Queen Mary Univeristy of London - a comfortable and modern screening room.
BELIFF is a platform for talented independent filmmakers to showcase their creations to a large audience and reach out to industry professionals. Films will be judged by a panel of professionals and winners will be given an award. In addition, the public will pick their favourite film, which will also be awarded.
(To see the full list of awards, please click on the following AWARDS link.)
Meet the Team
IOANA DOROFTE
Festival Co-Founder
Ioana comes from a busy acting background in both drama and film, dating back as far as 2005. She has an MA in Theatre from Kingston University and her work includes projects varying from stage plays to films and music videos. With a higher understanding of the craft she is currently working as a writer and drama tutor when she is not involved with the festival. Her experience covers several areas of film making: from acting to film production.
DAVID CRAIK
Festival Patron
Started his career at the Bristol Old Vic Theatre School, where he trained in classical acting and theatre arts and at the renowned Bristol Old Vic Company. His training also included appearances for BBC TV Bristol. His career in acting and directing has included Repertory, National Theatre, WestEnd, Theatre-in-Education, TV comedy, Film, Music videos. Early work also provided invaluable experience in 16mm celluloid camera operation (Aaton/Arriflex/ Beaulieu). He is a founding director of the Man in the Moon Theatre, Chelsea (1981-2003) where he was Artistic Director, co-producer and script adviser. In 1985 he started teaching at the Academy DS Whitechapel, teaching theatre and incorporating screen acting on location. His work has taken him to Scotland, Wales, Ireland, former Yugoslavia, Poland, Jamaica, Uruguay, Brasil, Argentina. He is currently engaged in Cognitive Anthropology, namely fMRI brain mapping studies, (Wellcome Institute) having so far investigated Role-Play//Pretend Play, with Art and the Brain currently in development. He is an active member of the Royal Institution and the Royal Anthropological Institute and has spoken about Consciousness at science conferences in Arizona and Hong Kong.
NATHAN HANNAWIN
Vice President of Judging Commitee
Having grown up in a North London estate, working in film always seemed an impossibility to Nathan - it was always the posh boys game. This never stopped him from dreaming, however. For hours he would watch the countless B movies and westerns on daytime TV, he was captivated by Disney animations such as Aladdin and The Lion King, the awe of Jurassic Park and Close Encounters, and had the life scared out of him by Alien. Into his teens, he began to understand film more but this was still very much as an enthusiast. Films such as Taxi Driver changed his perception of how character could be defined, Pulp Fiction and Momento on how traditional story structures could be changed, and Natural Born Killers for just how weird films could go.
Like many others, he came into film in the 5dmkII generation, at the same time YouTube became a huge platform and editing software became affordable and available. For the first time, it was possible for anyone to film, edit and distribute their own work and from there on he got the itch. So in his early twenties, he left a career in hospitality management to embark on film.
He received a distinction at foundation level and then went to study a BA in Film & Television, receiving 1st class honors for his degree. In the second year of his BA, he co-produced and directed his first feature film Sleaford Mods - Invisible Britain. The film was successfully crowdfunded and went on to sell out cinemas across Europe.
After graduating with a 1st, he continued developing his own web series Augury and acted as Director of Photography on the feature film UK18 directed by Andrew Tiernan. After the success of these, he directed the again successfully crowd-funded feature film Scales.
He has worked alongside the best-selling authors Jade Winters and Kiki Archer to develop their work into short films, the first of which Love on the Cards have received many screenings and won the Audience Award at the Palm Springs LGBTQ Festival and screen at InsideOut Toronto.
In 2018 he was delighted to receive the Film Director of the Year award at the International Achievers Awards.
VLAD DOROFTE
Festival Co-Founder
Vlad comes from a demanding professional background where in parallel he has been busy developing art related activities (such as photography) and film projects. His filmmaking endeavours track back as far as 2007, and over the last 5 years he has been focusing exclusively on film production and consultancy. He has an accredited Degree in Photographic Technique and he counts several international awards and nominations for directing, writing, and photography. He also has 5 years experience as a film critic. Among his interests, he includes Business Management, having run a successful online business for the past 8 years.
DAVID SHINE
President Of Judging Committee
After initially obtaining a BA in Visual Communications, David has for over 40 years worked in almost every area of film and video production. During the 90's he was a Film Editor at one of the world’s largest trailer-making companies outside of America, cutting 35mm trailers for feature films, as well as occasionally subtitling them for territories, world-wide. Previously, he’s also worked on commercials, dramas and documentaries; at Pinewood and Shepperton studios, and his more illustrious clients have included the BBC, CBS and Disney. Nowadays, he's more likely to be found behind a camera. Prior to his film and video career, for many years he was the Technical Manager of the Man in the Moon Theatre, but he has also enjoyed spells as a photographer and even as an actor!
MARK UBSDELL
Festival Patron
Mark Ubsdell was a co-founder of Europe’s largest film promotion house PPC (London/LA) leading the world in the creation of trailers, documentaries and commercials for the major U.S. studio campaigns. In a career beginning in Film marketing, then independent production and distribution. This included such areas as funding options, pre-production planning, scripting, camera operating, working with crews, location logistics and scheduling, editing and sound post production, and finally, procuring television and video sales in the rapidly changing international marketplace.
JANET HORN
Judge
Janet has a dynamic background including a Bsc honors degree in Communication Sciences and Disorders and a MA in Voice studies (with distinction) at Central School of Speech and Drama where she bridged her passion for performance arts with her scientific background. While she started her professional life as a Speech and Language Therapist, her lifelong passion for film and acting could not be denied and she gradually shaped her career to become a voice, accent and movement teacher with a specialism for screen actor dialect coaching. She has worked in various drama schools helping actors discover the joy of their vocal potential. She has provided both private and onset dialect coaching for various films and TV productions including season 3 of the Starz series Black Sails. She currently coaches clients all over the world with online accent and voice training and she loves supporting the skill, creativity and confidence of the screen acting community. Janet also loves acting and has been in a number of stage and screen productions herself and more recently she has discovered an interest in screenplay writing. She loves singing, playing guitar and catering to every whim of her two pet house-rabbits, who rule her household.
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![]() Krieg (feature) |
![]() Ray Richardson - Our Side Of The Water |
![]() Seeing Him |
![]() Limbo |
![]() LifeInk |
![]() Living On A Dollar A Day (Feature, Doc). |
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![]() LAURELS |
![]() JAZZ |
![]() A Night Without copy |
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